| 2013 |
The Block, QUT, Kelvin Grove, Tangent |
| 1998 |
BVN Residency, Lake Crackenback, ACT, Performance in the Landscape: Enki's Door |
| 1998 |
BVN Residency, Brisbane, Performance in the Landscape: Forbidden Door |
| 1998 |
BVN Residency, Brisbane, Illumination Series |
| 1993 |
Qld. College of Art Gallery, Griffith University, Viaggi |
| 1991 |
Linden Gallery, Melbourne, Installation |
| |
Noosa Regional Gallery, Installation |
| 1990 |
Qld. Art Gallery, Brisbane, Complicity 1 2 3 |
| 1990 |
Institute of Modern Art, Brisbane, Evolution |
| 1989 |
College Gallery S.A.C.A.E, Adelaide, Floating Shrine |
| |
Gryphon Gallery, Melbourne University, Floating Shrine |
| |
Irving Galleries, Sydney, Floating Shrine |
| 1987 |
Bonython Meadmore Gallery, Adelaide, Landscape 3:Shrine |
| 1985 |
Qld. Art Gallery, Brisbane, Landscape.2: Sentinel |
| 1984 |
Institute of Modern Art, Brisbane, Landscape.1:Mandala |
| 2022/23 |
QAGOMA, ‘Courage and Beauty: The James C. Sourris AM Collection’, Passing |
| 2019/20 |
New Women Exhibition, Museum of Brisbane, Video documentation, Landscape 4 Temple |
| 2018 |
Bellas Gallery, One Last Time, Passing (James Sourris AM Collection, QAG) |
| 2016 |
UQ Art Museum, Ephemeral Traces. Brisbane’s artist-run scene in the 1980s |
| 1996 |
Artlink - Sequinz: A survey of electronic art from Australia - a CD Rom publication of interactive multimedia art works, “Determinate Body”, in collaboration with Glenda Nalder |
| 1995 |
Noosa Regional Gallery, Tewantin - Zero One: Digital Shifts 2, “Between Zero & One: Body Image” a collaboration with Glenda Nalder |
| 1995 |
Q.U.T. Art Gallery, Brisbane - Art and Technology: Recent works |
| 1995 |
Princess Theatre, Brisbane Fringe Festival, PSEUDO, “Shhh !” a collaboration with Glenda Nalder and Sue Benner |
| 1995 |
Plimsoll Gallery, Centre for the Arts, Hobart - Out of the Analogue |
| 1994 |
IMA, Brisbane, Knowing the Sensorium, a collaboration with Jump-up-Arts |
| 1994 |
Ivan Dougherty, Sydney, 25 Years of Performance Art |
| |
Institute of Modern Art, Brisbane, 25 Years of Performance Art |
| |
Experimental Art Foundation, Adelaide, 25 Years of Performance Art |
| |
Perth Institute of Contemporary Art, 25 Years of Performance Art |
| |
Aust. Centre of Contemporary Art, Melb. - 25 Years of Performance Art |
| 1992 |
Latrobe Valley Art Centre, Morwell, Graduate Exhibition, “Representing Absence” |
| 1991 |
Penrith Lakes, Aust. Perspecta, (West. Sites), “Landscape 6” |
| 1990 |
Heide Park and Art Gallery, 4th Australian Sculpture Triennial, “Landscape 5 Labyrinth” |
| 1990 |
Qld. Art Gallery, Brisbane, Reference Points |
| 1988 |
Mildura Arts Centre, 10th Mildura Sculpture Triennial, “Landscape 4 Temple” |
| 1988 |
Qld. College of Art Gallery, Griffith University, Work to Screen (Projecting Performance) |
| 1988 |
The Centre Gallery, Gold Coast, A Complementary Caste: a homage to women artists in QLD |
| 1987 |
School of Arts, Brisbane, Suncorp Art Award |
| 1987 |
John Mills National, Brisbane, Belles Lettres |
| 1987 |
The Centre Gallery, Gold Coast, Gold Coast Art Prize |
| 1983 |
Institute of Modern Art, Brisbane, No Names, “Altered Perspectives” |
| 1983 |
St John’s Cathedral, Sculpture Society Exhibition Space Within, “Flight” |
| 1982 |
Community Arts Centre, Sculpture Society Exhibition, Festival’82, “Installation’82” |
| 1982 |
University of Qld. Art Museum, Brisbane, Women’s Work |
| Anne Marsh |
DOING Feminism, Women’s Art and Feminist Criticism in Australia, 2021 |
| Meridith Hinchcliffe |
“Artistic Exposure: Urban arts guerilla in a national architects’ practice” smARTS, Issue 18, June 1999 |
Marsh, Malyon
and Watts |
The Art Book, Oxford Uni Press, 1999 |
| Jane Magon |
“Spirituality in Contemporary Australian Art: Some Contexts and Issues in Interpretation” Artlink, Art and the Spirit, Vol 18 #1 1998, pp 38-40 |
| Anna Voight |
New Visions, New Perspectives: Voices of Contemporary Australian Women Artists, Craftsman House 1996 |
| Christine Morrow |
“Viaggi”, Eyeline, Autumn, 1994 No.24, pp. 10-13 |
| Glenda Nalder |
“Regional Art and the Politics of Space”, Periphery, No 20, Aug.1994 |
| Yenda Carson |
“Goondiwindi Report”, Periphery, No 20, Aug.1994 |
| Margaret Turner |
“Unbroken Ground”, Art Monthly, Sept. 1994 |
| Jan Leo |
“Unbroken Existence”, Eyeline, Summer, 1994. No 26, pp. 24-26 |
| Nicholas Zurbrugg |
“Fatal Attractions’ Women and Technology”, Normana Wight, Edit Videns, Lyndall Milani”, Artlink: Art and the Feminist Project Vol 14, No.1, Aut.94, pp 48-50 |
| Glenda Nalder |
Viaggi, Catalogue, 1993 |
| Ann Marsh |
Body and Self: Performance Art in Australia 1969-92, pp. 152/3,1993 |
| Ken Scarlett |
Contemporary Sculpture in Australian Gardens, Sydney: Craftsman House, 1993 |
| Sandy Kirby |
Sight Lines: Women’s Art and Feminist Perspectives in Australia, Sydney: Craftsman House and Gordon and Breach, 1992, pp. 130-131 |
| Bruce Muirhead |
“Architecture & Lyndall Milani’s Installation’s”, Artlink: Art, Architecture, Environment, Vol 11, No 4, Summer, 91/2, pp.19/21 |
| Alex Selenitsch |
“Susan Fereday, Lyndall Milani, Marie Sierra Hughes, Concurrent Individual Exhibitions at Linden” Agenda, 20/1, Nov.91/Jan.92 p. 42 |
| Anne Kirker |
“Lyndall Milani”, Art and Australia Vol 28, No. 3, Aut. 1991, pp. 373-7 |
| Elizabeth Cross |
4th Aust. Sculpt. Triennial, Catalogue, 1990 |
| Anne Kirker |
Evolution, Institute of Modern Art, Catalogue, 1990 |
| Neville Drury |
New Art Four, Sydney: Craftsman House, 1989 |
| Stephanie Britten |
“Art Rave”, Artlink Vol 8 No. 2, Adelaide, 1988 |
| Isobel Davies |
“Women at the 10th Mildura Sculpture Triennial” Women’s Art Register, Vol 1, No. 2, Melbourne, 1988 |
| Browyn Larner |
A Complementary Caste, a homage to women artists in Qld. past and present, Catalogue, Centre Gallery, Gold Coast, 1988 |
| Leone Furler |
“Reviews”, Artlink Vol 7 No. 1, Adelaide, March- April, 1987 |
| Michel Sourgne |
Landscape 2 Sentinel, Catalogue, Queensland Art Gallery, 1985 |